Road Trips
Paid a visit to David Trubridge’s new custom designed and built studio/factory/showroom in Hastings.
By paul November 24, 2011 No Comments Re-Tweet This Share
After meeting David several years ago he mentioned his ideal work space would be designed and built to fit his unique requirements and values. A space that would not only foster great innovation in design, but would incorporate the factory as well as a showroom to showcase his new work and projects. Other important values like sustainability, good working environment for his staff and accessibility to his customers and the ‘real world’ out there would be important. Well it’s all become reality. It’s located near the old industrial site where he used to be based, but is now alongside a very Kiwi neighbourhood. Connecting with and being a part of the community is all part of running his business in the Hawke’s Bay area and also one of the reasons he and his partner, Linda, live there.
I love the way the building, while mostly industrial, welcomes you in. The entrance is informal and friendly, full of light, and provides a lovely space to show David’s range of lights, furniture, special projects and prototypes, as well as his art prints and photography on the walls. David showed me around the design area as well as the work-friendly workshop. Underfloor heating, excellent light, clean air and a number of sustainable innovations make this a space worth working in. We look forward to seeing new work pouring out from this nest of kiwi creativity. Next time you’re down there pop in yourself… it will be well worth it.
Also visited Jo Blogg in her studio in Napier… which happens to be right next door to Fane Flaws.
By paul November 23, 2011 2 Comments Re-Tweet This Share
Jo Blogg’s studio is right next to Fane’s and so it was great to get a look-in on what she’s been working on too. And there’s much to see since my last visit, which is a little surprising as Jo is the antithesis to Fane’s working style…. fastidious, measured, painstakingly detailed [therefore slow] and methodical. But no less inspired. Her techniques remain constant, but her canvases and materials change. Objects that have a previous life as ornaments, like this collection of animals, or utilitarian items like doors, get new life energy breathed into them. Pages from a classic 70’s Playboy serves as the medium for a new work… a hole punch is used to create perfect circles of colour pasted over an old print of Gainsborough’s Blue Boy painting. The juxtaposition and layering of old and new subjects and using unexpected media, make this incredibly fresh work.
Sadly I didn’t get a new photo of the camera-shy Jo this time, but I’ll be back when these works are ready for show. Who knows when that will be but it will be worth the trip. In the meantime check out her current work on CleverBastards…
We’re Back! With a visit to Fane Flaws in his cool new backyard studio.
By paul November 22, 2011 No Comments Re-Tweet This Share
Fane and I go back a long way, having made many TV commercials together back in the 90’s… the Vogels Legends series for one. And man we had plenty of fun. So it was great to see him again, going hammer and tongs in the new-old studio in his Napier back yard, an old school room he’s managed to haul in. He’s given up making ads [me too], but he makes so much more these days… and the evidence is everywhere… drum kit and guitar to one side, easel loaded with a large oil in the middle of the studio, computer in the corner. He plays me a new song he’s recorded and the music video he’s filmed to go with it, a new kid-adult book, which he’s written, illustrated and laid out. Oils in progress, a new swag of ‘Bird’ gouaches, assemblages made of stuff from the demo yard lie against the walls everywhere. This is just a normal day in Fane’s prodigious creative life. I’ve always loved his creative energy… like an exploding head of ideas.
Check out some of his new works here… or some animated videos he’s releasing to go with his kids book “the Underwater Melon Man”
Fane outsie his new studio
Nontoxic printmaker Mark Graver, the saviour of NZ printmaking?
By paul June 22, 2010 2 Comments Re-Tweet This Share
On my latest road trip up north to Kerikeri I discover NZ’s only fully non toxic printmaking studio buried in the lush subtropical gardens of Wharepuke. Mark Graver, who trained at Leeds Polytechnic UK and Camberwell College of Arts in London, now calls Northland home. He practices as a full time print-maker and painter but loves sharing his knowledge through teaching, writing books and exhibiting both in the gallery next to his studio as well as abroad. His passion though, is for printing in a clean, non toxic environment using natural and organic materials. He reckons it’s the only way to sustain the art of printmaking, as the usual methods and materials used are highly toxic leading to many studios and teaching facilities closing down.
But sustainable credentials aside, I love the earthy nature of his work, whether it’s the subject or the very materials he uses. For example, this one of series of colour etchings inspired by Monet’s Water Lilly paintings, Nympheas II …
And other etchings, Lavenham and Fairstar….
And in his paintings he mixes in earth, gravel and all manner of natural elements from his immediate environment… as in the painting Drive. I suspect that the very gravelly effect in this work is achieved with elements from his own driveway mixed in with a blend of other media.
So Mark Graver, please carry on your crusade for the true art of printmaking by keeping it clean… and “dirty” in terms of your painting. Oh, and by the way, why not meet Mark by staying at Wharepuke in one the cottages?
A Kiwi wish comes true.
By paul June 7, 2010 No Comments Re-Tweet This Share
My Welly trip was so fruitful I’ve a few more blogs on clever people I met down there. Jennifer McIver of Wishbone Bikes and I met at their HQ in Newtown. Sadly, partner and designer Richard was away on business. A planned one hour meet ran into two as we found so much to talk about. Most of it on shared values that encapsulate their brand and ours, CleverBastards. Their story of taking their prototype product to market, via success at the German Kids Toys Awards and further success in Milan, is a wish come true. But it didn’t come easily… they’ve sweated the hard yards on getting their product right and produced right and at a price that is already meeting the market. World-wide. And all in an incredibly short time.
“The joy of transformation” sums up the genius of the Wishbone Bike. It grows as your kid grows… from year one it has three wheels, then the two wheels become one, and then at 4 or 5 years the wishbone frame is flipped giving it added height. Clever Hey? But that’s not all. It comes with true sustainable creds… kiln-dried, preservative-free plantation birch or ash, organic cotton and recycled packaging. They didn’t want to just produce more. “That’s why we challenged ourselves to create designs that transform your experience, reduce overall consumption, deliver a positive environmental outcome, and bring people closer together.” So you think that’s cool? Check these out….
Designs commissioned by Kiwi artists Neil Whittington with his endangered Giant Koru Snail and our very own Clever Bastard, Shane Hansen celebrate the importance of biodiversity. His Koru design “tells a story of flowing rivers and high mountains. It symbolises new life and relationships, calling on families globally to celebrate diversity, build community and work together for a bright future.” Now that’s a Kiwi wish worth wishing for.
Let’s get this baby on the road…
By paul May 18, 2010 5 Comments Re-Tweet This Share
The team at CleverBastards have been on my back about getting my blog up and running for ages. “All you have to do is write a bit about what you’re doing all the time anyway”… yeah, yeah, yeah. And where to fit it into my day, my week? So, to get them off my back, here we go…
I studied Fine Art [painting] more than a wee while ago. However, for my sins and a desire to make “real” money, I ended up in the Ad game. 24 years as an art director and a stint as a creative director, a whole heap of fun making thousands of ads, with a dose of stress thrown in, was ENOUGH! Or so my body told me. I then pursued a latent hunger to design… anything. From brands to home renovations, from odd bits of furniture to baches, from gardens to a million dollar home.
And then a light spluttered to life in my head… to throw all of my tawdry past, and a fair whack of the meagre family savings, into a new venture, called CleverBastards.co.nz Check it out as it kinda speaks for itself. But in order to feed the hungry beast I now spend my time sniffing out the next interesting snippet of news about design and art. In fact all things creative. And particularly the works of the creatives of this place, at the edge of the world, Aotearoa New Zealand. I mean it’s more exciting to be where it’s new, and fresh. It’s in our name – New. Land of the sea. Land of the long white cloud. Also, being at the edge implies a certain frisson, a kind clashing of where we’ve come from and where we’re going – forward, unencumbered by the constraints of the history and traditions of the old world. I’m interested in what’s happening in between the old silos of Art, Design and Craft. Between the Galleries and the Street, between the Faculties of Architecture, Fine Art, Design and the un-taught. It’s where the little bit of grit gets in between, causing friction and heat. And that’s where cleverness emerges, the new spin on the old No.8 wire attitude.
So feel free to join me on a bit of hunting, clever hunting… hope you enjoy the trip.
