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Combining Maori heritage with contemporary NZ design – David Hakaraia.
By Jane March 23, 2012 No Comments Re-Tweet This Share
Nearly every child in New Zealand grows up listening to the stories of Maori legends. It might be said that the stories of Maui Tikitiki-a-Taranga are some of the most popular. In some of the stories Maui is cheeky, curious, and his inquisitive nature means that he goes on really awesome and dangerous adventures. When he’s old enough Maui starts to question his origins and begins to figure out his own identity. Perhaps unsurprisingly, the legends of Maui continue to influence our lives; like Maui, we are discovering what we find unique about ourselves, what we can create that expresses our own individual New Zealand identity.
David Hakaraia amalgamates his Maori heritage with contemporary designs and practises. The result is a fascinating synthesis: Hakaraia creates works that have a “design approach that is distinctly his own”, they are a combination of Maori storytelling and modern techniques through the use of a variety of media. David is of Ngapuhi and Ngati Paoa descent and grew up in Tokoroa and Kororareka. He graduated with a Masters of Design with Distinction at Victoria University School of Architecture and Design in 2011. David’s aim is ”to develop new ways to express my history by marrying contemporary design technologies with the tradition of Maori story-telling. My hope is that this historically and culturally grounded approach will offer new ways with which contemporary Maori may connect with their history”.
David’s works are obviously reminiscent of his Maori heritage, as seen in his Waka Whakaka, which also combines pacific and western cultures. Intricate koru designs are magnificently laser-etched on a wooden elliptical shape. When switched on, light streams through the cuts, making the patterns on the Waka Whakaka glow.
David’s other light, Mahuika, is directly influenced by Maori legend: it is based on one of the stories of Maui, when he goes to the underworld to get fire from the old kuia, Mahuika. The light is made of porcelain and native timber. Mahuika looks like a multi-coloured flame, and is both bright and delicate at the same time. And pretty soon David is going to become a cleverbastard (which we are very excited about). We are looking forward to having a new and extremely innovative designer join our team. Story by Jane Yonge
Paid a visit to David Trubridge’s new custom designed and built studio/factory/showroom in Hastings.
By paul November 24, 2011 No Comments Re-Tweet This Share
After meeting David several years ago he mentioned his ideal work space would be designed and built to fit his unique requirements and values. A space that would not only foster great innovation in design, but would incorporate the factory as well as a showroom to showcase his new work and projects. Other important values like sustainability, good working environment for his staff and accessibility to his customers and the ‘real world’ out there would be important. Well it’s all become reality. It’s located near the old industrial site where he used to be based, but is now alongside a very Kiwi neighbourhood. Connecting with and being a part of the community is all part of running his business in the Hawke’s Bay area and also one of the reasons he and his partner, Linda, live there.
I love the way the building, while mostly industrial, welcomes you in. The entrance is informal and friendly, full of light, and provides a lovely space to show David’s range of lights, furniture, special projects and prototypes, as well as his art prints and photography on the walls. David showed me around the design area as well as the work-friendly workshop. Underfloor heating, excellent light, clean air and a number of sustainable innovations make this a space worth working in. We look forward to seeing new work pouring out from this nest of kiwi creativity. Next time you’re down there pop in yourself… it will be well worth it.
Also visited Jo Blogg in her studio in Napier… which happens to be right next door to Fane Flaws.
By paul November 23, 2011 2 Comments Re-Tweet This Share
Jo Blogg’s studio is right next to Fane’s and so it was great to get a look-in on what she’s been working on too. And there’s much to see since my last visit, which is a little surprising as Jo is the antithesis to Fane’s working style…. fastidious, measured, painstakingly detailed [therefore slow] and methodical. But no less inspired. Her techniques remain constant, but her canvases and materials change. Objects that have a previous life as ornaments, like this collection of animals, or utilitarian items like doors, get new life energy breathed into them. Pages from a classic 70’s Playboy serves as the medium for a new work… a hole punch is used to create perfect circles of colour pasted over an old print of Gainsborough’s Blue Boy painting. The juxtaposition and layering of old and new subjects and using unexpected media, make this incredibly fresh work.
Sadly I didn’t get a new photo of the camera-shy Jo this time, but I’ll be back when these works are ready for show. Who knows when that will be but it will be worth the trip. In the meantime check out her current work on CleverBastards…
We’re Back! With a visit to Fane Flaws in his cool new backyard studio.
By paul November 22, 2011 No Comments Re-Tweet This Share
Fane and I go back a long way, having made many TV commercials together back in the 90’s… the Vogels Legends series for one. And man we had plenty of fun. So it was great to see him again, going hammer and tongs in the new-old studio in his Napier back yard, an old school room he’s managed to haul in. He’s given up making ads [me too], but he makes so much more these days… and the evidence is everywhere… drum kit and guitar to one side, easel loaded with a large oil in the middle of the studio, computer in the corner. He plays me a new song he’s recorded and the music video he’s filmed to go with it, a new kid-adult book, which he’s written, illustrated and laid out. Oils in progress, a new swag of ‘Bird’ gouaches, assemblages made of stuff from the demo yard lie against the walls everywhere. This is just a normal day in Fane’s prodigious creative life. I’ve always loved his creative energy… like an exploding head of ideas.
Check out some of his new works here… or some animated videos he’s releasing to go with his kids book “the Underwater Melon Man”
Fane outsie his new studio
New medium finds new heights for creative expression.
By paul September 13, 2010 2 Comments Re-Tweet This Share
Just lovin this work on used, pre-loved snow boards… what a beautiful and functional medium. The way the grain is allowed to come through with the minimal additions in white silhouettes. Upcycling is just booming around the world. And with good reason. We’ve got into such a mad, vicious, addictive cylcle of buy, consume, chuck. Often objects made with beautiful and valuable materials – I had no idea how a snow board was made prior to this awakening – are given the heave. And so Nathan Seccombe brings new life to these boards in an unexpected way… once carving up the mountain snow, now carving up the space on a wall or floor. Cool. My fave are the two clocks… yours?
Oh, and nice photos too. It’s always a pleasure to see great design represented so well… must be the old ad art director coming out in me.
Underground art welcome on the underground
By paul August 14, 2010 2 Comments Re-Tweet This Share
Art should belong in the public arena right? What better canvas than a subway train? Wrong? It wasn’t long ago that subversive artists were “doing” their art in these places… illegally. These artists [admittedly not all were artists] were the scourge of the New York and subsequent subways. Now they’re emerging as recognised artists throughout the world. Although some prefer to remain incognito. They’re even legal in some underground railways. And above ground they’re celebrated as enriching cities like Melbourne. Where their works have become tourist attractions with bus tours showing the way. And so they should be. Try these wonderful creations found in Amsterdam. Talk about enriching otherwise boring and ugly environments.
Million Dollar Design were selected by the Amsterdam Public Transport Company to transform one of the old “Zilvermeeuw” subway cars into art [and their work has lived up to their name]. They were one of 40 artists that were selected to create a new subway carriage interior. “With our design, the common dark gray atmosphere of the underground has been transformed into a colorful underwater world. Mermaids swim along, an octopus hides under an umbrella and a turtle takes you on a journey into the unknown. The subway consists of two differently designed so-called ‘bins’ (compartments). One has a predominantly green color which reminds you of the deep underwater, where strange little creatures are floating around. The other which is purple, suggests that it’s closer to the surface, where small fish are flirting with the sparklings of the sunlight onto the water.”
It’s public-minded community art projects like this that make the mundane of cities into exciting, moving, living, giving, enriching environments. Worth living in. Worth sharing with the world. So what about us? Our cities shaping up for the Rugby World Cup? I don’t see much like it on our trains, buses, underpasses… yet?
A glass bird in the hand…
By paul July 16, 2010 No Comments Re-Tweet This Share
Stuck around the back of a nondescript building in Newton, Auckland, I find a treasure trove of glass artists. Katherine Rutecki and Luke Jacomb run a glass studio specialising in glass-blowing and casting glass in the lost wax method. Together they’ve formed Lukeke Design, under which they collaborate on a number of works that, while perform as objects of beauty, perform equally well in other ways in the home. As individual artists they have their own specialities. And it’s Kate I’ve come see about her glass birds…
Her fascination with birds began with a dream which she captured in this sketch, created in the middle of the night…
The birds take on human characteristics in a nightmarish, ghoulish scenario in these drawings.
But the works currently flying out the mould [it's actually a bit more difficult than that] are birds that celebrate flight, life and symbiosis… almost human-like expressions of togetherness, connectedness, an almost exquisite expression of love.
The process starts with a sculpture in clay. After a series of positive and negative versions in rubber, wax, plaster and finally glass, the piece emerges in a rough finish. After grinding and polishing it is finally sandblasted to give it the delicate, glowing finish that diffuses the light rather than bouncing off it.
The art of glassblowing is always fascinating to watch, mesmerising. What I love about these goblets is that, with their sand-blasted finish, they have an almost ceramic-like quality. They look stunning in monochrome white, black and various colours. Quite graphic and juxtaposed with their mix of classic and traditional forms.
Another find while in the studio was these cast glass Power Poles by Simon Lewis Wards… enigmatic yet so mundane. And quite beautiful. I’m looking at the power poles in my street quite differently now.
